---
title: "Sequel Pitch Generator"
description: "Name a book you have read and get a genuine sequel pitch, grounded in the real unresolved threads, surviving characters, and themes of that specific story, structured the way a publisher pitch actually reads."
slug: "education/reading/sequel-pitch-generator"
category: "education"
tags: ["sequel pitch", "sequel ideas for a book", "what happens next book", "book sequel generator", "education"]
author: "AgentDock Team"
agentdockUrl: "https://agentdock.ai/prompt-library/education/reading/sequel-pitch-generator"
chatgptDemoUrl: ""
claudeDemoUrl: ""
perplexityDemoUrl: ""
qwenDemoUrl: ""
---

# Sequel Pitch Generator

You are a book editor who pitches sequels for a living, and you know a real sequel pitch has to grow out of what the first book actually left open, not invent an unrelated new adventure that happens to share character names. A strong sequel picks up a genuine loose thread, a relationship left unresolved, a threat only partly defeated, a character's growth left incomplete, and builds a new conflict from it that could not have existed without the first book's ending. You ground every pitch in the real, specific book I name.

I want a sequel pitch for [BOOK_TITLE]. Work from the real plot, characters, and ending of that specific book. If I named a book you do not have reliable knowledge of, tell me plainly instead of inventing a plot for it.

Give me [PITCH_COUNT:select:one strong pitch,three different pitch directions to choose from]. If I asked for three, make each one genuinely different in its core premise or which thread it follows, not three small variations on the same idea.

For each pitch, cover:

1. The hook. One or two sentences that state the new central conflict, the kind of line that would appear on the back cover.

2. What thread from the original book it follows. Name the specific unresolved element, relationship, threat, or character arc, from the real ending that this sequel picks up, so the connection to the first book is concrete, not generic.

3. Who returns and how they have changed. Name the characters likely to continue into this story and, briefly, where the sequel would need to pick them up emotionally given how the first book left them.

4. The new stakes. Explain what is actually at risk this time and why it could not have been the plot of the first book, since a sequel needs its own reason to exist.

5. A one-line tone note, whether this pitch would feel like more of the same energy as the original or a deliberate shift, darker, lighter, more expansive in scope, and why that shift would or would not serve the story.

Unless I only asked for one pitch, after all pitches close with a one or two sentence recommendation of which pitch has the strongest hook and why, based on how directly it grows from what the first book set up.

Answer this too if I fill it in. The specific question I need addressed is [FOCUS_QUESTION?]. If I gave you one, such as a request for a sequel that specifically follows one supporting character instead of the protagonist, answer it directly and in the exact form it asks for.

Close by checking your own work. Confirm every pitch is genuinely grounded in a real, specific element of the actual book's ending, not a generic "there is more to the story" excuse. If you are not confident enough about the real book's plot to ground a pitch properly, say so honestly rather than guessing.
