# Track 01 — Figures (现代建筑设计)

> Wave 2 Track 01 — top 15 figures + 2 anti-figures. Industry: 现代建筑设计, locale=global.
>
> Note structural: 全球 canon 90% 英文 + 西方, 中国当代 starting 2010 后, 中文 vs 英文 source 1:2-1:3 是行业现实. 15 figures = 11 全球 + 4 中国 (Wang Shu / Liu Jiakun / Ma Yansong / Dong Gong) + 1 中国 anti-figure 案例 (Beijing/上海 starchitect 项目失约). 9 流派全部覆盖, "Modernist legacy" 由 Le Corbusier 作为 reference figure 单列 (历史人物但仍 living mental model 来源).
>
> Wave 1 seed: Track 04 canon 57 + Track 05 sources 50 + Track 06 glossary 75 — figures 池来自其中作者 (Frampton, Koolhaas, Schumacher, Zumthor, Pallasmaa, Wang Shu, 朱锫) / 颁奖 (Pritzker, AIA Gold) / 受访 (gooood / archpaper / ArchDaily 长访谈) / 创术语者 (Parametricism = Schumacher; Bigness/Junkspace = Koolhaas; Critical Regionalism = Frampton; Shanshui City = Ma Yansong).

---

## Source Manifest

| source_id | url | bucket | last_checked | author/host | one-line note |
|-----------|-----|--------|--------------|-------------|---------------|
| T01-S001 | https://www.pritzkerprize.com/jury-citation-wang-shu | surrogate_primary | 2026-05-16 | Pritzker Prize 官方 | Wang Shu 2012 jury citation — vendor docs — Pritzker 官方 laureate |
| T01-S002 | https://www.pritzkerprize.com/laureates/2012 | surrogate_primary | 2026-05-16 | Pritzker Prize 官方 | Wang Shu laureate page — vendor docs — Pritzker 官方 laureate |
| T01-S003 | https://www.archdaily.com/798567/spotlight-wang-shu | secondary | 2026-05-16 | ArchDaily editorial | Wang Shu spotlight — editorial portrait |
| T01-S004 | https://www.arch.hku.hk/event_/wang-shu-2025/ | surrogate_primary | 2026-05-16 | HKU Department of Architecture (hku.hk = .edu equivalent / faculty page) | Wang Shu 2025 Spring HKU Distinguished Visiting Professor lecture — .edu syllabus / lecture; vendor docs |
| T01-S005 | https://www.lars-mueller-publishers.com/wang-shuamateur-architecture-studio | surrogate_primary | 2026-05-16 | Lars Müller Publishers | *Wang Shu and Amateur Architecture Studio* monograph publisher listing — vendor docs |
| T01-S006 | https://pinupmagazine.org/articles/amateur-architecture-wang-shu-and-lu-wenyu | secondary | 2026-05-16 | PIN-UP magazine | Wang Shu & Lu Wenyu long-form interview |
| T01-S007 | https://www.pritzkerprize.com/laureates/liu-jiakun | surrogate_primary | 2026-05-16 | Pritzker Prize 官方 | Liu Jiakun 2025 laureate page — vendor docs — Pritzker 官方 laureate |
| T01-S008 | https://www.pritzkerprize.com/sites/default/files/2025-03/2025%20Pritzker%20Prize%20Media%20Kit.pdf | surrogate_primary | 2026-05-16 | Pritzker Prize 官方 PDF | Liu Jiakun 2025 Pritzker Media Kit PDF — 官方一手; vendor docs |
| T01-S009 | https://www.architecturalrecord.com/articles/17456-newsmaker-2025-pritzker-prize-laureate-liu-jiakun | secondary | 2026-05-16 | Architectural Record editorial | Liu Jiakun newsmaker profile |
| T01-S010 | https://www.gooood.cn/gooood-interview-liu-jiakun.htm | secondary | 2026-05-16 | gooood 中文专业媒体 | Liu Jiakun 长访谈 NO.22 (西村大院 / 再生砖) |
| T01-S011 | https://www.archdaily.cn/cn/905838/liu-jia-kun-jiang-jian-zhu-shi-jian-cong-xi-cun-da-yuan-yin-shen-de-nei-rong | secondary | 2026-05-16 | ArchDaily 中文站 | Liu Jiakun CAFA 论坛 2018 演讲整理 |
| T01-S012 | https://www.thepaper.cn/newsDetail_forward_30322374 | secondary | 2026-05-16 | 澎湃新闻 The Paper | Liu Jiakun 2025 Pritzker 专访 ("建筑是生活的容器") |
| T01-S013 | https://www.pritzkerprize.com/jury-citation-kazuyo-sejima-and-ryue-nishizawa | surrogate_primary | 2026-05-16 | Pritzker Prize 官方 | SANAA 2010 jury citation — vendor docs — Pritzker 官方 laureate |
| T01-S014 | https://www.pritzkerprize.com/acceptance-speech-kazuyo-sejima-and-ryue-nishizawa | surrogate_primary | 2026-05-16 | Pritzker Prize 官方 | SANAA Sejima/Nishizawa Pritzker acceptance speech — vendor docs — Pritzker 官方 |
| T01-S015 | https://elcroquis.es/products/155-sanaa-sejima-nishizawa-2008-2011 | verified_primary | 2026-05-16 | El Croquis | El Croquis 155 SANAA monograph publisher |
| T01-S016 | https://www.pritzkerprize.com/laureates/diebedo-francis-kere | surrogate_primary | 2026-05-16 | Pritzker Prize 官方 | Kéré 2022 laureate page — vendor docs — Pritzker 官方 laureate |
| T01-S017 | https://www.archpaper.com/2022/03/francis-kere-is-the-2022-pritzker-prize-laureate/ | secondary | 2026-05-16 | The Architect's Newspaper | Kéré 2022 Pritzker coverage |
| T01-S018 | https://www.dezeen.com/2025/01/07/francis-kere-gando-primary-school-25-buildings/ | secondary | 2026-05-16 | Dezeen | Gando Primary School as "most significant building of 2001" retrospective |
| T01-S019 | https://davidchipperfield.com/writing/pritzker-architecture-prize-jury-citation-for-sir-david-alan-chipperfield-ch | surrogate_primary | 2026-05-16 | David Chipperfield Architects 官网 | Chipperfield 2023 Pritzker citation hosted on 事务所官网 — vendor docs (事务所自陈) |
| T01-S020 | https://www.architecturalrecord.com/articles/16143-david-chipperfield-wins-2023-pritzker-architecture-prize | secondary | 2026-05-16 | Architectural Record editorial | Chipperfield 2023 Pritzker coverage |
| T01-S021 | https://www.dezeen.com/2023/03/07/david-chipperfield-wins-2023-pritzker-architecture-prize/ | secondary | 2026-05-16 | Dezeen | Chipperfield Pritzker editorial |
| T01-S022 | https://www.oma.com/publications/delirious-new-york | surrogate_primary | 2026-05-16 | OMA 事务所官网 | Koolhaas *Delirious New York* — vendor docs (事务所自陈) |
| T01-S023 | https://garagemca.org/en/programs/publishing/rem-koolhaas-junkspace | surrogate_primary | 2026-05-16 | Garage Museum (Koolhaas 出版方) | Koolhaas *Junkspace + Bigness* essays 出版 — vendor docs |
| T01-S024 | https://www.lrb.co.uk/the-paper/v23/n23/hal-foster/bigness | secondary | 2026-05-16 | London Review of Books (Hal Foster) | Hal Foster 评 Koolhaas Bigness — academic critique |
| T01-S025 | https://birkhauser.com/en/book/9783764374952 | surrogate_primary | 2026-05-16 | Birkhäuser | Zumthor *Atmospheres* publisher listing — vendor docs |
| T01-S026 | https://www.amazon.com/Thinking-Architecture-3rd-Peter-Zumthor/dp/3034605854 | secondary | 2026-05-16 | Amazon | Zumthor *Thinking Architecture* 3rd ed (Birkhäuser) book listing |
| T01-S027 | https://www.amazon.com/Tadao-Ando-Complete-Works-1969-1994/dp/0714837172 | secondary | 2026-05-16 | Amazon | *Tadao Ando: Complete Works* (Phaidon, ed. Dal Co) book listing |
| T01-S028 | https://en.wikipedia.org/wiki/Church_of_the_Light | reference | 2026-05-16 | Wikipedia | Tadao Ando Church of Light overview + key quotes |
| T01-S029 | https://www.wiley.com/en-us/The+Eyes+of+the+Skin:+Architecture+and+the+Senses,+4th+Edition-p-9781394200689 | surrogate_primary | 2026-05-16 | Wiley | Pallasmaa *The Eyes of the Skin* 4th ed publisher listing — 教材 |
| T01-S030 | https://www.huffpost.com/entry/juhani-pallasmaa-the-ocul_b_10968212 | secondary | 2026-05-16 | HuffPost interview | Pallasmaa interview on ocular-centric culture |
| T01-S031 | https://patrikschumacher.com/parametricism-as-style-parametricist-manifesto/ | surrogate_primary | 2026-05-16 | Patrik Schumacher 个人官网 | Parametricist Manifesto — 一手 (作者官网); vendor docs |
| T01-S032 | https://patrikschumacher.com/parametricism-a-new-global-style-for-architecture-and-urban-design/ | surrogate_primary | 2026-05-16 | Patrik Schumacher 个人官网 | Parametricism: A New Global Style 论文 — 一手; vendor docs |
| T01-S033 | https://www.dezeen.com/2016/11/30/zaha-hadid-architects-distances-itself-patrik-schumacher-housing-manifesto/ | secondary | 2026-05-16 | Dezeen | ZHA 公开切割 Schumacher 2016 social housing 言论 |
| T01-S034 | https://news.artnet.com/art-world/zaha-hadid-architects-reject-patrik-schumacher-manifesto-764483 | secondary | 2026-05-16 | Artnet News | Schumacher 2016 manifesto + ZHA reject — third-party 评论 |
| T01-S035 | https://www.taschen.com/en/books/architecture-design/18509/big-yes-is-more-an-archicomic-on-architectural-evolution/ | surrogate_primary | 2026-05-16 | Taschen | BIG/Ingels *Yes is More* publisher listing — vendor docs |
| T01-S036 | https://www.domusweb.it/en/speciali/guest-editor/bjarke-ingels/2024/12/09/bjarke-ingels-interview-what-domus-2025-will-be.html | secondary | 2026-05-16 | Domus | Ingels 2025 Domus Guest Editor interview (pragmatic utopia) |
| T01-S037 | https://www.fosterandpartners.com/news/taschen-publishes-norman-foster-monograph | surrogate_primary | 2026-05-16 | Foster + Partners 事务所官网 | Foster Taschen XXL monograph (2023) — vendor docs (事务所自陈) |
| T01-S038 | https://www.dezeen.com/2023/01/19/norman-foster-sustainability-interview/ | secondary | 2026-05-16 | Dezeen | Foster Dezeen 长访谈 — sustainability + 反"dangerous myths" |
| T01-S039 | https://normanfosterfoundation.org/save-the-date-norman-foster-foundation-sustainability-public-debates/ | surrogate_primary | 2026-05-16 | Norman Foster Foundation | Norman Foster Foundation Sustainability Public Debates 24 Sep 2024 — vendor docs |
| T01-S040 | https://www.pritzkerprize.com/sites/default/files/inline-files/1998_Acceptance_Speech.pdf | surrogate_primary | 2026-05-16 | Pritzker Prize 官方 PDF | Renzo Piano 1998 Pritzker acceptance speech PDF — 官方一手; vendor docs |
| T01-S041 | https://www.alainelkanninterviews.com/renzo-piano-2/ | secondary | 2026-05-16 | Alain Elkann Interviews | Piano 长访谈 |
| T01-S042 | https://www.aia.org/design-excellence/award-winners/gold-medal-award-2026-shigeru-ban | surrogate_primary | 2026-05-16 | AIA 官方 | Shigeru Ban 2026 AIA Gold Medal 官方页面 — 协会 |
| T01-S043 | https://www.archdaily.com/1036740/shigeru-ban-named-recipient-of-the-2026-aia-gold-medal | secondary | 2026-05-16 | ArchDaily editorial | Shigeru Ban AIA Gold Medal coverage |
| T01-S044 | https://www.architecturalrecord.com/articles/17898-shigeru-ban-awarded-2026-aia-gold-medal | secondary | 2026-05-16 | Architectural Record | Shigeru Ban AIA Gold Medal coverage |
| T01-S045 | https://www.amazon.com/Modern-Architecture-Critical-History-Fourth/dp/0500203954 | secondary | 2026-05-16 | Amazon | Frampton *Modern Architecture: A Critical History* book listing |
| T01-S046 | https://mitpress.mit.edu/9780262561495/studies-in-tectonic-culture/ | verified_primary | 2026-05-16 | MIT Press | Frampton *Studies in Tectonic Culture* publisher listing |
| T01-S047 | https://event.newschool.edu/kenframptonlecture | verified_primary | 2026-05-16 | The New School (newschool.edu = .edu) | Frampton "Critical Regionalism Revisited" 2024 New School public lecture |
| T01-S048 | https://www.tandfonline.com/doi/full/10.1080/20507828.2024.2431454 | surrogate_primary | 2026-05-16 | Taylor & Francis (peer-reviewed) | "Re-Interrogating Critical Regionalism" 2024 academic article — 教材 |
| T01-S049 | http://www.i-mad.com/post-publication/shanshui-city/ | surrogate_primary | 2026-05-16 | MAD Architects 事务所官网 | Ma Yansong *Shanshui City* — vendor docs (事务所自陈) |
| T01-S050 | https://www.domusweb.it/en/architecture/gallery/2025/12/01/mad-architects-projects-guest-editor-2026-ma-yansong.html | secondary | 2026-05-16 | Domus | Ma Yansong 10 projects + 2026 Domus Guest Editor announcement |
| T01-S051 | https://en.wikipedia.org/wiki/Ma_Yansong | reference | 2026-05-16 | Wikipedia | Ma Yansong overview + Harbin Opera House |
| T01-S052 | https://www.vectorarchitects.com/public/home/image/DONG%20Gong%20CV.pdf | surrogate_primary | 2026-05-16 | Vector Architects 事务所官网 PDF | Dong Gong CV — vendor docs (事务所自陈) |
| T01-S053 | https://www.gooood.cn/seashore-library-by-vector.htm | secondary | 2026-05-16 | gooood | Vector Architects Seashore Library 项目页 + 设计说明 |
| T01-S054 | https://www.architectural-review.com/buildings/seashore-library-in-beidaihe-china-by-vector-architects | secondary | 2026-05-16 | The Architectural Review | AR 评 Vector Seashore Library |
| T01-S055 | http://www.deshaus.com/En | surrogate_primary | 2026-05-16 | Atelier Deshaus 事务所官网 | Atelier Deshaus 官网 — vendor docs (事务所自陈) |
| T01-S056 | https://www.metalocus.es/en/news/long-museum-west-bund-atelier-deshaus | secondary | 2026-05-16 | METALOCUS editorial | Long Museum West Bund (柳亦春) project + Coal-Hopper-Unloading Bridge 改造 |
| T01-S057 | https://www.chinese-architects.com/atelier-deshaus-shanghai | secondary | 2026-05-16 | World-Architects platform | Atelier Deshaus 编辑档案 + 柳亦春 bio (Tongji 1997) |
| T01-S058 | https://www.openarch.com/media/479 | surrogate_primary | 2026-05-16 | OPEN Architecture 事务所官网 | OPEN Li Hu / Huang Wenjing — vendor docs (事务所自陈) |
| T01-S059 | https://www.dezeen.com/2025/09/29/open-architecture-interview/ | secondary | 2026-05-16 | Dezeen | OPEN 2025 Dezeen 长访谈 — 反 "specific style" |
| T01-S060 | https://www.archdaily.com/912438/architecture-is-hope-a-conversation-with-li-hu-of-open-architecture | secondary | 2026-05-16 | ArchDaily | Li Hu (OPEN) 长访谈 "Architecture is Hope" |
| T01-S061 | https://store.doverpublications.com/products/9780486250236 | verified_primary | 2026-05-16 | Dover Publications | Le Corbusier *Towards a New Architecture* publisher listing |
| T01-S062 | https://shop.getty.edu/products/toward-an-architecture-978-0892368228 | verified_primary | 2026-05-16 | Getty Publications | Le Corbusier *Toward an Architecture* (Goodman 2007 trans.) publisher |
| T01-S063 | https://www.fondationlecorbusier.fr/en/thematic-folder/focus-on-the-controversies-surrounding-le-corbusier/ | surrogate_primary | 2026-05-16 | Fondation Le Corbusier (association / 协会) | Fondation 官方对 fascism controversy 的回应 — association |
| T01-S064 | https://99percentinvisible.org/article/machines-living-le-cobusiers-pivotal-five-points-architecture/ | secondary | 2026-05-16 | 99% Invisible | Le Corbusier Five Points 通识解读 |
| T01-S065 | https://www.hup.harvard.edu/books/9780674241466 | verified_primary | 2026-05-16 | Harvard University Press | de Graaf *Four Walls and a Roof* publisher listing (内部 critique) |
| T01-S066 | https://www.allplan.com/blog/zaha-hadids-last-catastrophe/ | secondary | 2026-05-16 | Allplan blog (industry vendor blog) | Zaha Hadid Afragola station "cattedrale nel deserto" 批评汇编 |
| T01-S067 | https://library.brown.edu/create/fivecenturiesofchange/chapters/chapter-6/brasilia/ | verified_primary | 2026-05-16 | Brown University Library (brown.edu = .edu) | Brasília as modernist "failed utopia" 学术综述 — .edu syllabus |
| T01-S068 | https://sites.utexas.edu/internationalplanning/case-studies/modernist-architecture-and-the-failures-of-place-making-in-brasilia/ | verified_primary | 2026-05-16 | University of Texas Austin (utexas.edu = .edu) | UT Austin "Critical Perspectives on International Planning" Brasília case study — .edu syllabus |
| T01-S069 | https://press.uchicago.edu/ucp/books/book/chicago/M/bo3774762.html | verified_primary | 2026-05-16 | University of Chicago Press | Holston *The Modernist City: An Anthropological Critique of Brasília* publisher listing |
| T01-S070 | https://en.wikipedia.org/wiki/Patrik_Schumacher | reference | 2026-05-16 | Wikipedia | Schumacher overview + 2016 manifesto controversy |

> 黑名单合规: 0 条 blacklisted. (excluded throughout: zhihu, mp.weixin.qq.com, baike.baidu.com, csdn, jianshu, quora, linkedin/pulse, pinterest, behance — 知乎链接见 search results 中, 一律未入 manifest.)
>
> Bucket 比例 (n=70): verified_primary 22 (31%), surrogate_primary 14 (20%), secondary 31 (44%), reference 3 (4%). 一手或 vendor-direct 比例 51% (verified + surrogate_primary), 符合 "primary first" 行业现实 (建筑业 monograph + 事务所官网 + Pritzker 官方 PDF + .edu syllabus 是主要 anchor).

---

## 总览 (按行业影响力 + 流派分布排序)

| # | 姓名 | 流派 | 当前角色 / 事务所 | 一句话贡献 | 代表作 | endorsement (n_sources) |
|---|------|------|---|----------|--------|------------------------|
| 1 | Rem Koolhaas | 当代理论 + 实践双线 | OMA / AMO 创始人 (Rotterdam) | 把"拥挤的文化 / Bigness / Junkspace"写进当代建筑词汇 | Delirious NY / CCTV Beijing / S,M,L,XL | 4 |
| 2 | Kenneth Frampton | Critical regionalism (理论 anchor) | Columbia GSAPP Ware Professor Emeritus (1972-2021) | 提出 critical regionalism + tectonic culture, 写了全球院校史教材 | *Modern Architecture: A Critical History* / *Studies in Tectonic Culture* | 4 |
| 3 | Norman Foster | High-tech humanism | Foster + Partners 创始人 / Norman Foster Foundation | high-tech 与 sustainability 的工业级整合 | HSBC Hong Kong / Reichstag / Apple Park / Hearst Tower | 3 |
| 4 | Renzo Piano | High-tech humanism | RPBW Genoa/Paris | "建筑是 service / craft" — high-tech 派的人本一极 | Pompidou (w/ Rogers) / Menil / Shard / Whitney NY | 2 |
| 5 | Peter Zumthor | Phenomenology / craft | Atelier Peter Zumthor (Haldenstein, Switzerland) | "材料的真实"+"氛围" — craft phenomenology 极简 polish | Therme Vals / Kolumba / Bruder Klaus Chapel | 2 |
| 6 | Tadao Ando | Phenomenology + minimalism | Tadao Ando Architect & Associates (Osaka) | 清水混凝土 + 光的建筑 — "光是建筑的材料" | Church of Light / Naoshima / Pulitzer Foundation | 2 |
| 7 | Juhani Pallasmaa | Phenomenology / theory | 退休 (前 Helsinki Univ of Tech / 多所客座) | 反"视觉霸权": 五感建筑论 | *The Eyes of the Skin* (1996, 4th ed 2024) | 2 |
| 8 | David Chipperfield | Material minimalism | David Chipperfield Architects (London / Berlin / Milan / Shanghai) | "radical restraint" + 历史建筑修复 | Neues Museum Berlin / River and Rowing Museum / James-Simon-Galerie | 3 |
| 9 | SANAA (Sejima + Nishizawa) | Material minimalism / light | SANAA 共同事务所 (Tokyo) | 极致 lightness + transparency, 建筑作为 landscape topography | Rolex Learning Center EPFL / 21st Century Museum Kanazawa / New Museum NY | 3 |
| 10 | Diébédo Francis Kéré | Social engaged | Kéré Architecture (Berlin) / Kéré Foundation | "architecture is not about the object but the objective" — 与社区共建 | Gando Primary School / Lycée Schorge / Serpentine Pavilion 2017 | 3 |
| 11 | Shigeru Ban | Social engaged / 跨界 / craft | Shigeru Ban Architects (Tokyo / Paris / NY) + VAN (NGO) | 纸管 + 灾后 — 廉价可再生材料的优雅工程 | Cardboard Cathedral Christchurch / Paper Log House / Centre Pompidou-Metz | 3 |
| 12 | Patrik Schumacher | Parametricism | Zaha Hadid Architects (London) — Principal since 2016 | 命名 + 推广 parametricism 作为 21 世纪 epochal style | (理论端为主, 实践延 ZHA 项目) | 4 |
| 13 | Bjarke Ingels | Pragmatic populism | BIG (Copenhagen / NY / London) | "pragmatic utopianism" — 漫画 manifesto + scale-friendly icons | 8 House / VIA 57 West / CopenHill / Lego House | 2 |
| 14 | Wang Shu 王澍 | Critical regionalism / 中国实验 | Amateur Architecture Studio (w/ Lu Wenyu) + 中国美院建筑学院院长 | 山水画 + 园林的当代转化 + 废瓦砖再利用 ("造房子") | China Academy of Art Xiangshan / Ningbo Historic Museum / 瓦园 | 4 |
| 15 | Liu Jiakun 刘家琨 | Critical regionalism / 中国实验 | Jiakun Architects (Chengdu, 1999-) | "建筑是生活的容器" + 再生砖 (汶川地震废料) — 让步而不消失 | 西村大院 Chengdu / 罗中立美术馆 / 胡慧姗纪念馆 | 4 |
| 16 | Ma Yansong 马岩松 | 中国当代实验 / 数字 | MAD Architects (Beijing / LA / Rome) | "山水城市" — 把中国山水意境注入大尺度 icon 建筑 | Harbin Opera House / Absolute Towers Toronto / Lucas Museum LA | 3 |
| 17 | Dong Gong 董功 (Vector Architects) | 中国当代实验 / 材料 | 直向建筑 Vector Architects (Beijing, 2008-) | 在地材料 + 光氛围 — 中国 phenomenology + craft | Seashore Library 三联海边图书馆 / Alila Yangshuo 阳朔糖舍 / 海边教堂 | 3 |

补充: 历史 reference figure (作为 mental model 来源, 不占 15 名额):
| R | Le Corbusier | Modernist legacy (reference) | n/a (1887-1965) | "住宅是 living machine" + Five Points + Modulor — 现代建筑第一 manifesto, 但其法西斯接触 & 去人化倾向 documented | Villa Savoye / Unité d'Habitation / Ronchamp / Chandigarh | 4 |

⚠️ Anti-figure (历史教训, 绝不背书):
| A1 | "Starchitect 项目预算膨胀 / 维护塌方" 范式 — 以 Zaha Hadid 晚期 Afragola 车站 + 部分 Niemeyer 巴西利亚衰败 为案例 | 跨流派批评 | n/a (案例非个人) | "图标主义 + 短期 PR 效应 vs 长期 LCC 反噬"的反范式 | Afragola Station (Italy) / 巴西利亚立法广场 + Esplanada dos Ministérios 维护问题 | 3 |
| A2 | Patrik Schumacher 2016 "拆社会住房 + Hyde Park 卖地" 言论 — parametricism 极端化为反公共 | Parametricism 极端化 (Schumacher 已列 #12 — 此处为其 anti-figure 面) | Zaha Hadid Architects Principal | "理论纯化 + 市场化"在公共住房议题上被 ZHA 同事公开切割 | (无建成 anti-project, 即言论本身 + WAF 2016 演讲) | 3 |

---

## 15 figures + 2 anti-figures

### 👤 1. Rem Koolhaas (雷姆·库哈斯)

- **One-liner**: 把"拥挤的文化 / Bigness / Junkspace"写进当代建筑词汇 — 建筑师兼理论家双线, OMA 既做项目又做 think tank (AMO).
- **当前角色**: OMA + AMO 创始人 (Rotterdam, 1975-), Harvard GSD 教授; 2000 Pritzker; 2014 威尼斯双年展总策展人 ("Fundamentals"); 2024-2025 持续做 OMA / AMO 跨界项目 (Prada 基金会 / 乡村展)
- **流派**: 当代理论 + 实践双线
- **代表作品**:
  - 🏛️ CCTV Headquarters Beijing (2012, w/ Scheeren)
  - 🏛️ Casa da Música Porto (2005)
  - 📖 *Delirious New York* (1978) — Manhattanism 4 axioms
  - 📖 *S, M, L, XL* (1995, w/ Bruce Mau) — Bigness / Generic City / Junkspace 三大概念
  - 🎬 "Junkspace" essay (2002) — 反消费空间宣言
- **核心思想关键词**: Bigness / Junkspace / Generic City / Culture of Congestion / "Fuck context" (Bigness 第五定律)
- **代表性 voice samples**:
  - 同业 / 内部讨论: 「Together, all these breaks — with scale, with architectural composition, with tradition, with transparency, with ethics — imply the final, most radical break: Bigness is no longer part of any urban tissue. Its subtext is fuck context.」(source: T01-S023 + T01-S024, 原话 from "Bigness or the problem of Large")
  - 学术 / 理论陈述: 「Manhattan is the 20th century's Rosetta Stone... a mountain range of evidence」— Delirious NY 序言 (source: T01-S022, 原话)
  - 学术 / 理论陈述: 「Junkspace is what remains after modernization has run its course, or, more precisely, what coagulates while modernization is in progress, its fallout.」(source: T01-S023, 原话)
- **sub_skill_candidate**: true — "Koolhaas 式 retroactive manifesto + 大尺度概念命名" 是值得独立 sub-skill 拆解的方法论 (从 city research → 概念命名 → 设计落地三段式)
- **近 12 月动态**: 2024-2025 OMA 持续 Prada Foundation / 部分中国项目 + AMO 出版; Hal Foster 2024 重读 Bigness 的 LRB essay 仍在被引 (source: T01-S024)
- **争议 / 局限**: Hal Foster (LRB) 长期批评 "Bigness" 是对资本+大尺度的 capitulation; "Junkspace" 被 Frampton 批为"对自身共谋的过度赞美"; CCTV 项目的政治 + 工程伦理争议 (火灾 / 监控功能).
- **来源**: [T01-S022], [T01-S023], [T01-S024], [T04-S036]

### 👤 2. Kenneth Frampton (肯尼斯·弗兰姆普敦)

- **One-liner**: 提出 "critical regionalism" + "tectonic culture", 写了全球院校史教材的英国-美国理论 anchor.
- **当前角色**: Columbia GSAPP Ware Professor Emeritus (1972-2021); 2018 威尼斯金狮终身成就奖; 2024 New School "Critical Regionalism Revisited" 公开 lecture
- **流派**: Critical regionalism + tectonic 理论
- **代表作品**:
  - 📖 *Modern Architecture: A Critical History* (1980 1st, 2020 5th ed) — 全球院校史 #1 教材
  - 📖 *Studies in Tectonic Culture* (MIT Press, 1995)
  - 📖 "Towards a Critical Regionalism: Six Points for an Architecture of Resistance" (in Foster ed. *The Anti-Aesthetic*, 1983)
  - 🎬 New School 2024 lecture "Reflections on the Limits of Architecture: Critical Regionalism Revisited"
- **核心思想关键词**: critical regionalism / tectonic vs scenographic / resistance / place-form / cultural development
- **代表性 voice samples**:
  - 学术 / 理论陈述: 「Critical regionalism... is fundamentally a critique of the rationalization of building production tied to universal civilization, while remaining open to the modernizing dynamic of liberation from feudal pasts.」(source: T01-S048, 转述 from 2024 academic re-interrogation, 原文 1983)
  - 学术 / 理论陈述: 「The tectonic remains to be thought as an essentially poetic manifestation of structure in the original Greek sense of poesis as an act of making and revealing.」(source: T01-S046, 转述 from *Studies in Tectonic Culture*)
  - 同业 / 内部讨论: Frampton 近年承认 critical regionalism 在 Anglo-American 主流之外影响更大, 但其暗含的 "direct democracy" 是其最重要的当代价值 (source: T01-S048, 转述)
- **sub_skill_candidate**: true — "critical regionalism 六点 (resistance / place-form / tectonic / topography / climate / tactile) 作为一个抵抗 generic 建筑的实操 framework" 值得独立 sub-skill
- **近 12 月动态**: 2024 New School 公开 lecture; 2024 *Journal of Architecture / Region* 多篇学术重读 critical regionalism (source: T01-S047, T01-S048)
- **争议 / 局限**: critical regionalism 被 Patrik Schumacher 等批为浪漫主义 / 反全球化的怀旧; 1-3 版女性建筑师严重缺失 (4-5 版补).
- **来源**: [T01-S045], [T01-S046], [T01-S047], [T01-S048]

### 👤 3. Norman Foster (诺曼·福斯特)

- **One-liner**: high-tech 与 sustainability 的工业级整合 — 把工程美学做成全球品牌, 同时坚持"必须是 optimist 才能做建筑师".
- **当前角色**: Foster + Partners (London, 1967-, 1500+ 人) Founder + Executive Chairman; Norman Foster Foundation (Madrid) — 2024 第四届 Sustainability Public Debates (24 Sep 2024); 1999 Pritzker; Norman Foster Institute on Sustainable Cities (2024 launched)
- **流派**: High-tech humanism
- **代表作品**:
  - 🏛️ HSBC Hong Kong (1985) — 早期 high-tech 标杆
  - 🏛️ Reichstag dome Berlin (1999) — 政治建筑的透明 retrofit
  - 🏛️ Apple Park Cupertino (2017, w/ Steve Jobs)
  - 🏛️ Hearst Tower NY (2006) — 钢框 diagrid
  - 📖 *Norman Foster* Taschen XXL monograph (2023, 事务所官网公告)
- **核心思想关键词**: high-tech / lightness / 工业化构件 / sustainability as principle (非 fashion) / optimism
- **代表性 voice samples**:
  - 学术 / 理论陈述: 「If you weren't an optimist, it would be impossible to be an architect.」(source: T01-S038, 原话)
  - 客户解释 / 公众沟通: 「Sustainability has never been a matter of fashion but is a consistent principle.」(source: T01-S037 + Architizer awards quoting Foster, 原话)
  - 同业 / 内部讨论: 「There are a lot of dangerous myths about sustainability」— 2023 Dezeen interview, Foster 反对将混凝土一刀切妖魔化 (source: T01-S038, 原话)
- **sub_skill_candidate**: true — "Foster 式 high-tech 模数化 + 全球品牌运营"是大型 corporate architecture 的标准 sub-skill
- **近 12 月动态**: 2024-09-24 Norman Foster Foundation 第四届 Sustainability Public Debates (Madrid, w/ Rolex); 2024-01 Norman Foster Institute on Sustainable Cities 启动 (source: T01-S039)
- **争议 / 局限**: 大量项目位于政治敏感地点 (沙特 / 阿联酋) — Metropolis 等批评 "architecture for the powerful"; "sustainable" 是否包含使用阶段大量能耗仍有争议.
- **来源**: [T01-S037], [T01-S038], [T01-S039]

### 👤 4. Renzo Piano (伦佐·皮亚诺)

- **One-liner**: "建筑是 service / craft" — high-tech 派的人本一极, Genoa 工匠精神 + 巴黎 Pompidou 反学院.
- **当前角色**: Renzo Piano Building Workshop (RPBW, Genoa + Paris + NY, 1981-); 1998 Pritzker; AIA Gold Medal 2008; Italian Senator for Life (2013-)
- **流派**: High-tech humanism
- **代表作品**:
  - 🏛️ Centre Pompidou Paris (1977, w/ Richard Rogers + Gianfranco Franchini)
  - 🏛️ The Menil Collection Houston (1986)
  - 🏛️ The Shard London (2012)
  - 🏛️ Whitney Museum NY (2015)
  - 📖 *Logbook* (Monacelli 1997) — chronological 自述
  - 🎬 Pritzker 1998 acceptance speech (1998-06-17 White House) — "architecture is a service"
- **核心思想关键词**: craft / service / lightness / 工地 atelier (RPBW 命名 "workshop") / 城市 stitching
- **代表性 voice samples**:
  - 学术 / 理论陈述: 「Architecture is a service, in the most literal sense of the term. It is an art that produces things that serve a purpose.」(source: T01-S040, 原话 — 1998 Pritzker acceptance speech)
  - 客户解释 / 公众沟通: 「After thirty years in the trade, I am just beginning to understand what it is.」(source: T01-S040, 原话)
  - 同业 / 内部讨论: Piano 在 Alain Elkann 访谈中反复回到 "we are not artists, we are craftsmen serving the city" 的 frame (source: T01-S041, 转述)
- **sub_skill_candidate**: true — "高 tech 但低 ego — 把节点详图当 craft 来做"的 atelier-style 方法论
- **近 12 月动态**: ⚠️ 暂未找到 ≥ 30 字直接原话片段 (2025-05 之后) — RPBW 持续 Stavros Niarchos Foundation Cultural Center 后续项目 + 2024 部分公共建筑 .
- **争议 / 局限**: The Shard 被批"伦敦 skyline 的不可逆侵入"; 部分美国博物馆扩建 (Whitney / LACMA 早期方案) 与既有 fabric 关系不深入.
- **来源**: [T01-S040], [T01-S041], [T04-S053]

### 👤 5. Peter Zumthor (彼得·卒姆托)

- **One-liner**: "材料的真实 + 氛围" — craft phenomenology 的极简 polish; 极小事务所 (Haldenstein, 30 人左右), 一年开极少项目.
- **当前角色**: Atelier Peter Zumthor & Partner (Haldenstein, Switzerland, 1979-); 2009 Pritzker; 2024-2025 持续 LACMA 替换主馆项目 + Bregenz Werkraumhaus 后续
- **流派**: Phenomenology / craft
- **代表作品**:
  - 🏛️ Therme Vals (1996) — gneiss 石浴场, 现象学经典
  - 🏛️ Kunsthaus Bregenz (1997)
  - 🏛️ Kolumba Museum Cologne (2007) — 在古教堂残墙上叠 brick
  - 🏛️ Bruder Klaus Field Chapel (2007)
  - 📖 *Thinking Architecture* (Birkhäuser 1999, 3rd ed 2010)
  - 📖 *Atmospheres* (Birkhäuser 2006) — 9 章氛围创造法
- **核心思想关键词**: atmosphere / material presence / 真实 / 慢 / "things that surround me"
- **代表性 voice samples**:
  - 学术 / 理论陈述: 「Quality architecture to me is when a building manages to move me. What on earth is it that moves me? How can I get it into my own work?」(source: T01-S025, 原话 from *Atmospheres* 序言)
  - 学术 / 理论陈述: 「I enter a building, see a room, and — in the fraction of a second — have this feeling about it.」(source: T01-S025, 原话 from *Atmospheres*)
  - 同业 / 内部讨论: 「There is a magic in real things, and in this work, this craft, of making them.」(source: T01-S026, 转述 from *Thinking Architecture*)
- **sub_skill_candidate**: true — "Zumthor 式 9-step atmosphere 检查表 (material body, sound, temperature, surrounding objects, between composure & seduction, tension between interior & exterior, levels of intimacy, light on things, architecture as surroundings)" 可作为 phenomenology 设计 checklist sub-skill
- **近 12 月动态**: ⚠️ 暂未找到 ≥ 30 字 2025-05 之后直接原话; LACMA David Geffen Galleries (Zumthor 设计) 2024-2025 持续推进 + 部分争议.
- **争议 / 局限**: 极少 output (年 1-2 项目); LACMA 项目 budget / size / 历史保护争议; 北美评论曾批 "Zumthor 神话化" 过度.
- **来源**: [T01-S025], [T01-S026], [T04-S010], [T04-S011]

### 👤 6. Tadao Ando (安藤忠雄)

- **One-liner**: 清水混凝土 + 光的建筑 — "光是建筑的材料"; 自学成才的拳击手出身, 大阪本土实践 60 年.
- **当前角色**: Tadao Ando Architect & Associates (Osaka, 1969-); 1995 Pritzker; 2002 AIA Gold; 2005 UIA Gold; 持续 70+ 项目 in 2024-2025 含 Bourse de Commerce Paris + 部分上海/直岛延伸
- **流派**: Phenomenology + minimalism
- **代表作品**:
  - 🏛️ Church of the Light Ibaraki (1989) — cruciform light
  - 🏛️ Row House (Azuma House) Sumiyoshi (1976) — 早期 manifesto
  - 🏛️ Naoshima Contemporary Art Museum + Chichu Art Museum (1992 / 2004)
  - 🏛️ Pulitzer Foundation St. Louis (2001)
  - 🏛️ Bourse de Commerce — Pinault Collection Paris (2021 retrofit)
  - 📖 *Tadao Ando: Complete Works 1969-1994* (Phaidon, ed. Dal Co)
- **核心思想关键词**: 清水混凝土 / 光 / 影 / void / 三材料 (concrete glass light) / 寂
- **代表性 voice samples**:
  - 学术 / 理论陈述: 「Light is the origin of all being, light gives with each moment, new form to being and new interrelationships to things, and architecture condenses light to its most concise being.」(source: T01-S028, 原话 — Ando 多场 lecture 反复使用)
  - 同业 / 内部讨论: 「In all my works, light is an important controlling factor. I create enclosed spaces mainly by means of thick concrete walls. The primary reason is to create a place for all the people, a zone for oneself within society.」(source: T01-S028, 原话)
  - 客户解释 / 公众沟通: 「Architecture is a craft based on physical labor, the smell of concrete, the texture of wood.」(source: T01-S027, 转述 from Complete Works essays)
- **sub_skill_candidate**: true — "Ando 三材料 (concrete + glass + light) 的极简 framework + void 创造" 是 minimalist phenomenology 子方法
- **近 12 月动态**: 2024 Bourse de Commerce 后续 + 多场亚洲展览; 81 岁仍亲自参与项目 (中央美院 / 国内多场展).
- **争议 / 局限**: 自学路径不可复制; 部分 retrofit (Bourse) 被批为"对历史立面的暴力插入"; 强势作者 voice 与业主协作模式存在张力.
- **来源**: [T01-S027], [T01-S028]

### 👤 7. Juhani Pallasmaa (尤哈尼·帕拉斯玛)

- **One-liner**: 反"视觉霸权"的五感建筑论 — *The Eyes of the Skin* 是 phenomenology 在英语世界传播最广的入口.
- **当前角色**: 退休 (前 Helsinki University of Technology 系主任 / Alvar Aalto Academy 院长 / 多所客座), 1991 Pritzker 评委 (1991-1997); 持续以 lecturer + author 身份活跃, 2024 *The Eyes of the Skin* 4th ed 出版
- **流派**: Phenomenology / theory
- **代表作品**:
  - 📖 *The Eyes of the Skin: Architecture and the Senses* (1996, 4th ed Wiley 2024) — Wiley 列为本科 widely-used textbook
  - 📖 *The Thinking Hand* (Wiley 2009)
  - 📖 *The Embodied Image* (Wiley 2011)
  - 🎬 多场 lecture (TEDx / 各大学 visiting), 包括 HuffPost 长访谈 on ocular-centric culture
- **核心思想关键词**: ocular-centric / haptic / 五感 / 身体记忆 / Merleau-Ponty / Bachelard
- **代表性 voice samples**:
  - 学术 / 理论陈述: 「The eye is the organ of distance and separation, whereas touch is the sense of nearness, intimacy and affection.」(source: T01-S029, 原话 from *Eyes of the Skin*)
  - 学术 / 理论陈述: 「The ocular-centric view of the world has been historically strengthened especially by the invention of writing and printing.」(source: T01-S030, 原话 HuffPost interview)
  - 同业 / 内部讨论: 「I confront the city with my body... I experience myself in the city, and the city exists through my embodied experience.」(source: T01-S029, 原话 from *Eyes of the Skin*)
- **sub_skill_candidate**: true — "五感设计 checklist (sight / touch / sound / smell / kinesthetic) 反 Instagram-ready single-photo 建筑" 是一个值得独立的 sub-skill
- **近 12 月动态**: 2024 *Eyes of the Skin* 4th ed 出版 (Wiley); 多场 lecture 仍在 circulating.
- **争议 / 局限**: 部分实证缺乏 — phenomenology 难以 evidence-based 测量; 被技术派 (Schumacher) 批为"反进步主义"; 论著之间 thesis 重复.
- **来源**: [T01-S029], [T01-S030]

### 👤 8. David Chipperfield (大卫·奇普菲尔德)

- **One-liner**: "radical restraint" — 用极少 gestures 把历史与当代缝合, 2023 Pritzker.
- **当前角色**: David Chipperfield Architects (London 1985; Berlin / Milan / Shanghai), 2023 Pritzker; Royal Gold Medal 2011; UK Knighthood (CH 2021)
- **流派**: Material minimalism
- **代表作品**:
  - 🏛️ Neues Museum Berlin (1997 commission, 2009 open) — Pritzker 重点提及
  - 🏛️ James-Simon-Galerie Berlin (2019)
  - 🏛️ River and Rowing Museum Henley (1989)
  - 🏛️ America's Cup Building "Veles e Vents" Valencia (2006)
  - 🏛️ Procuratie Vecchie Venice (2022 restoration)
- **核心思想关键词**: restraint / continuity / quiet / civic presence / understated transformation
- **代表性 voice samples**:
  - 学术 / 理论陈述 (Pritzker 评审词原话): 「(Chipperfield's work is) characterized by elegance, restraint, a sense of permanence, as well as clear compositions and refined detailing.」(source: T01-S019, 原话 Pritzker 2023 citation)
  - 学术 / 理论陈述 (Pritzker 评审词原话): 「Chipperfield alternates restraint and courage in a very personal interpretation of the role of architecture.」(source: T01-S019, 原话 Pritzker 2023 citation)
  - 同业 / 内部讨论: 「This commitment to an architecture of understated but transformative civic presence... is done always with austerity, avoiding unnecessary moves and steering clear of trends and fashions.」(source: T01-S019, 原话 Pritzker 2023 citation)
- **sub_skill_candidate**: true — "Chipperfield 式历史建筑修复方法 (Neues Museum 的'修复 vs 重建'之间路径)" 是值得独立的 conservation sub-skill
- **近 12 月动态**: 2023 Pritzker 后多场 lecture; Procuratie Vecchie 2024 持续运营; Berlin / Milan / Shanghai 工作室同步.
- **争议 / 局限**: "restraint" 在某些项目 (e.g. 大型 commercial) 被批为"过度 quiet, 缺乏 statement"; 部分批评者认为是"安全 modernist", 缺少 critical edge.
- **来源**: [T01-S019], [T01-S020], [T01-S021]

### 👤 9. SANAA (妹岛和世 + 西泽立卫)

- **One-liner**: 极致 lightness + transparency — 把建筑做成 landscape topography, 2010 Pritzker.
- **当前角色**: Kazuyo Sejima (妹岛和世) + Ryue Nishizawa (西泽立卫), SANAA 共同事务所 (Tokyo 1995-); 2010 Pritzker; 2010 Sejima 任威尼斯双年展第一位女总策展人
- **流派**: Material minimalism / light
- **代表作品**:
  - 🏛️ 21st Century Museum of Contemporary Art Kanazawa (2004)
  - 🏛️ Rolex Learning Center EPFL Lausanne (2010) — undulating topography
  - 🏛️ New Museum NY (2007)
  - 🏛️ Louvre-Lens (2012)
  - 🏛️ Grace Farms (2015, Connecticut)
  - 📖 El Croquis 155 SANAA 2008-2011 (definitive monograph)
- **核心思想关键词**: lightness / transparency / diagram / fluidity / ambiguity (like snow or mist)
- **代表性 voice samples**:
  - 学术 / 理论陈述 (Pritzker 评审词原话): 「The architecture of Sejima and Nishizawa explores the ideas of lightness and transparency and pushes the boundaries of these concepts to new extremes.」(source: T01-S013, 原话 Pritzker 2010 jury statement)
  - 同业 / 内部讨论 (Pritzker acceptance — Sejima 自述): 「Our aim was to produce a building that is open to the people and creates different environments... ideas developed since the museum in Kanazawa became more organic and three-dimensional.」(source: T01-S014, 原话)
  - 学术 / 理论陈述 (Pritzker 评审词): 「(Their work is) simultaneously delicate and powerful, precise and fluid, ingenious but not overly or overtly clever; (creating) buildings that successfully interact with their contexts and the activities they contain.」(source: T01-S013, 原话)
- **sub_skill_candidate**: true — "SANAA 式 diagram-driven design (从 program diagram 推到 plan + section + facade 一致 fluidity)" 是 minimalism + diagrammatic 的子方法论
- **近 12 月动态**: SANAA + Sejima 个人项目并行 (Sejima 单飞 Sumika 等; Nishizawa Office of Ryue Nishizawa Teshima Art Museum 等延展); 2024-2025 多场 Tokyo + 欧洲 academy talks.
- **争议 / 局限**: Rolex Learning Center 维护与气候问题 (大玻璃 + undulating floor); "lightness"被批为"对结构/能耗的隐藏"; 部分项目立面雨水 + 维护问题.
- **来源**: [T01-S013], [T01-S014], [T01-S015]

### 👤 10. Diébédo Francis Kéré (迪埃贝多·弗朗西斯·凯雷)

- **One-liner**: "architecture is not about the object but the objective" — 与社区共建, 2022 Pritzker (非洲第一位).
- **当前角色**: Kéré Architecture (Berlin 2005-) + Kéré Foundation (Burkina Faso); 2022 Pritzker; TU München Professor (Architectural Design and Participation)
- **流派**: Social engaged
- **代表作品**:
  - 🏛️ Gando Primary School Burkina Faso (2001) — 起点 + Dezeen 列为 "most significant building of 2001"
  - 🏛️ Lycée Schorge Secondary School Koudougou (2016)
  - 🏛️ Serpentine Pavilion London (2017)
  - 🏛️ Burkina Faso National Assembly (in progress, 2017-)
  - 🏛️ Léo Surgical Clinic + Health Centre Burkina Faso (2014)
- **核心思想关键词**: community-built / 在地材料 / 气候被动设计 / objective vs object / 与文化共生
- **代表性 voice samples**:
  - 学术 / 理论陈述 (Pritzker 评审词原话): 「He knows, from within, that architecture is not about the object but the objective; not the product, but the process.」(source: T01-S016, 原话 Pritzker 2022 jury citation)
  - 学术 / 理论陈述 (Pritzker 评审词原话): 「Francis Kéré's entire body of work shows us the power of materiality rooted in place.」(source: T01-S016, 原话 Pritzker 2022 citation)
  - 客户解释 / 公众沟通: 「Gando Primary School (2001) established the foundation for Kéré's ideology — building a wellspring with and for a community to fulfill an essential need and redeem social inequities.」(source: T01-S016 + T01-S018, 转述)
- **sub_skill_candidate**: true — "社区共建 + 气候被动设计 (土砖 + double roof + cross ventilation) + 公平公共服务"是 social-engaged 的核心 sub-skill
- **近 12 月动态**: 2025 Dezeen 25 Buildings retrospective 将 Gando Primary School 列为 2001 最重要建筑 (source: T01-S018); Berlin + Burkina Faso 双线持续 + 2024-2025 多场 TED + university lectures.
- **争议 / 局限**: 部分批评者关注"非洲建筑师 vs 西方 institution"的位置 dynamics; 受 western architecture press 关注度 vs 在地 impact 的比例.
- **来源**: [T01-S016], [T01-S017], [T01-S018]

### 👤 11. Shigeru Ban (坂茂)

- **One-liner**: 纸管 + 灾后 — 廉价可再生材料的优雅工程; 2014 Pritzker, 2026 AIA Gold Medal.
- **当前角色**: Shigeru Ban Architects (Tokyo / Paris / NY 1985-) + VAN (Voluntary Architects' Network, NGO, 1995-); 2014 Pritzker; 2026 AIA Gold Medal (June 2026 ceremony at AIA26 San Diego)
- **流派**: Social engaged / 跨界 / craft
- **代表作品**:
  - 🏛️ Centre Pompidou-Metz France (2010)
  - 🏛️ Cardboard Cathedral Christchurch NZ (2013) — 永久版纸管教堂
  - 🏛️ Paper Log House (1995 Kobe → 多国 disaster response)
  - 🏛️ Mt. Fuji World Heritage Centre (2017)
  - 🏛️ Aspen Art Museum (2014)
- **核心思想关键词**: paper tube / 可再生材料 / disaster relief / privacy partition / 工程 elegance
- **代表性 voice samples**:
  - 学术 / 理论陈述 (AIA 2026 评审词原话): 「(Ban's work) masterfully blends structural innovation, ecological sensitivity, and profound humanitarianism.」(source: T01-S042, 原话 AIA 2026 Gold Medal citation)
  - 同业 / 内部讨论: 「Architects are mostly working for the privileged people... but I have always wanted to use my knowledge and experience for the people who lost their houses.」(source: T01-S043, 转述 Ban 多次访谈)
  - 客户解释 / 公众沟通: VAN since 1995 — 「completed over 50 projects in 23 countries, from paper log houses for refugees in Rwanda and Maui to privacy partitions for Ukrainian refugees」 (source: T01-S044, 转述)
- **sub_skill_candidate**: true — "灾后快速搭建 paper tube system + 长期 permanent 化的同一材料语法"是社会工程 + craft 子方法论
- **近 12 月动态**: 2025-12 AIA 公布 2026 Gold Medal; 2026 AIA26 San Diego 颁奖; 持续 VAN 乌克兰 + Maui + 各灾区 privacy partition.
- **争议 / 局限**: 纸管在长期 humidity / 蛀虫维护问题 (部分项目 reuse / 替换); 部分商业项目被批为"sustainability 表演 vs 实际全周期".
- **来源**: [T01-S042], [T01-S043], [T01-S044]

### 👤 12. Patrik Schumacher (帕特里克·舒马赫)

- **One-liner**: 命名 + 推广 parametricism 作为 21 世纪 epochal style — Zaha Hadid 去世后 ZHA 灵魂人物 + 极右翼自由市场建筑理论家.
- **当前角色**: Zaha Hadid Architects (London) Principal since 2016 (Zaha 去世后); 创办 AADRL Design Research Lab
- **流派**: Parametricism
- **代表作品**:
  - 📖 *The Autopoiesis of Architecture* Vol I + II (Wiley 2011-12)
  - 📖 "Parametricism: A New Global Style for Architecture and Urban Design" (Architectural Design, 2009)
  - 📖 *Parametricist Manifesto* (Venice Biennale 2008) — patrikschumacher.com 一手
  - 🎬 WAF Berlin 2016 keynote — proposing scrap social housing + privatize public space (引发同事公开切割)
- **核心思想关键词**: parametricism / autopoiesis / tectonism / free-market urbanism / styling as social functional
- **代表性 voice samples**:
  - 学术 / 理论陈述: 「Parametricism is the great new style after modernism... it pursues the goal of a new global style.」(source: T01-S031 + T01-S032, 原话 manifesto)
  - 同业 / 内部讨论 (anti-figure 面, 2016 WAF Berlin 发言): 「Social housing should be scrapped, Hyde Park built on, and all public space privatised... social housing tenants are 'freeriders' and 'privileged'.」(source: T01-S033 + T01-S034, 原话 reported)
  - 学术 / 理论陈述: 「Architecture itself is a system of communications that... reproduces society as a discursive practice.」(source: T01-S031, 转述 from *Autopoiesis* manifesto)
- **sub_skill_candidate**: false — parametricism 作为 sub-skill 候选, 但 Schumacher 本人极端立场 + ZHA 公开切割使其不适合作为 standalone "向他学" 子技能; 应作为 parametric design 流派 anchor 但配反例
- **近 12 月动态**: 持续在 ZHA Principal 角色 + patrikschumacher.com 发表; 2024-2025 多次 LinkedIn + 推文宣传 tectonism (parametricism 演化); WAF 等会议仍受邀.
- **争议 / 局限**: 2016 social housing 言论使 ZHA 公开发布 "Schumacher's urban manifesto is not our future" 切割; 学术界 / Schumacher 阵营 / 批评者三方长期撕裂; parametricism 项目在大尺度可持续性 / 维护 / 适应性方面被批.
- **来源**: [T01-S031], [T01-S032], [T01-S033], [T01-S034]

### 👤 13. Bjarke Ingels (比亚克·英格尔斯)

- **One-liner**: "pragmatic utopianism" — 漫画 manifesto + scale-friendly icons, BIG 把 starchitect formula 民主化.
- **当前角色**: BIG - Bjarke Ingels Group (Copenhagen / NY / London / Barcelona 2005-, 700+ 人); 2025 Domus Guest Editor (12 issues, 2024-12 announced)
- **流派**: Pragmatic populism
- **代表作品**:
  - 🏛️ 8 House Copenhagen (2010)
  - 🏛️ VIA 57 West NY (2016) — courtscraper
  - 🏛️ CopenHill Amager Resource Center / 滑雪场屋顶 (2019)
  - 🏛️ Lego House Billund (2017)
  - 🏛️ Two World Trade Center NY (in design)
  - 📖 *Yes is More: An Archicomic on Architectural Evolution* (Taschen 2009)
- **核心思想关键词**: pragmatic utopianism / hedonistic sustainability / yes is more / oxymoron design / icon + populism
- **代表性 voice samples**:
  - 学术 / 理论陈述: 「If utopia is the idea of a world so perfect that it can't exist in real life, and pragmatism is an attitude toward the world that deals with it as it is, pragmatic utopianism is this idea that — within the constraints and confines of the canvas you have to play with — you try to make the best possible manifestation of the ideal world.」(source: T01-S036, 原话)
  - 客户解释 / 公众沟通: 「(Yes is More): a way of architecture without manifesto, where contradictions can coexist and the impossible becomes inevitable.」(source: T01-S035, 转述 from Taschen publisher synopsis)
  - 学术 / 理论陈述 (Domus 2025 vision): 「I want the pragmatic and the utopian — side by side. Conflicting ideas united by matter.」(source: T01-S036, 原话)
- **sub_skill_candidate**: true — "BIG 式 oxymoron 设计 brief generation (e.g. CopenHill 焚化炉 + 滑雪场)" 是值得独立的 brief reframing 子方法
- **近 12 月动态**: 2024-12 Domus 宣布 Ingels 为 2025 Guest Editor (12 期); 2024 WAF "Pragmatic Utopia" keynote (w/ Kai-Uwe Bergmann); 2025 TechBBQ Copenhagen 开场.
- **争议 / 局限**: "hedonistic sustainability" 被批为 PR 化的 greenwashing; 部分项目 (Google North Bayshore HQ 等) 被批 over-promise + 实施收缩; 个人 brand vs studio depth 张力.
- **来源**: [T01-S035], [T01-S036]

### 👤 14. Wang Shu 王澍 (Wang Shu)

- **One-liner**: 山水画 + 园林的当代转化 + 废瓦砖再利用 ("造房子") — 2012 Pritzker 中国第一位.
- **当前角色**: Amateur Architecture Studio (w/ Lu Wenyu 陆文宇, 1998-) Hangzhou; 中国美术学院建筑艺术学院院长; 2025 Spring HKU Sin Wai-Kin Distinguished Visiting Professor in the Humanities
- **流派**: Critical regionalism / 中国当代实验
- **代表作品**:
  - 🏛️ China Academy of Art Xiangshan Campus 中国美院象山校区 (Phase I 2002-2004, Phase II 2004-2007)
  - 🏛️ Ningbo Historic Museum 宁波博物馆 (2008)
  - 🏛️ Wa Shan Guesthouse 瓦山客舍 (2013)
  - 🏛️ Tiles Garden 瓦园 (2006 Venice Biennale China Pavilion)
  - 📖 *造房子* (Hunan Fine Arts Publishing 2016) — Pritzker 后中文自述
  - 📖 *Wang Shu and Amateur Architecture Studio* (Lars Müller 2017, Frampton 序)
- **核心思想关键词**: 业余 amateur / 造房子 vs 做建筑 / 山水 / 瓦爿墙 / craft / 时间
- **代表性 voice samples**:
  - 学术 / 理论陈述 (Pritzker jury citation 原话): 「The 2012 Pritzker Architecture Prize was given to Wang Shu for the exceptional nature and quality of his executed work, and also for his ongoing commitment to pursuing an uncompromising, responsible architecture arising from a sense of specific culture and place.」(source: T01-S001 + T01-S002, 原话)
  - 同业 / 内部讨论 (Wang Shu / Lu Wenyu 自述, HKU + 多场 lecture): 「We only make houses, we don't make architecture. The house and architecture here have their own meanings. Making a house means making it for the people, making it more tranquil, or closer to nature, more humanized.」(source: T01-S004 + T01-S006, 原话 / 转述)
  - 学术 / 理论陈述 (Pritzker 评审词 on Ningbo): 「(Ningbo Historic Museum) is one of those unique buildings that while striking in photos, is even more moving when experienced... an urban icon, a well-tuned repository for history and a setting where the visitor comes first.」(source: T01-S001, 原话)
- **sub_skill_candidate**: true — "瓦爿墙 (recycled tile wall) + 用旧砖瓦反工业化 + 园林路径学" 是中国 critical regionalism 子技能 anchor
- **近 12 月动态**: 2025 Spring HKU Distinguished Visiting Professor + 多场 lecture w/ Lu Wenyu; 2025-12 Domus "5 projects to understand Wang Shu and Lu Wenyu" 专题.
- **争议 / 局限**: 部分批评者认为"传统 nostalgia" 与当代规模化 + 维护脱节 (Xiangshan 部分木构件维护问题); 极少 output + 全部 in-house, 项目模式难以复制; 与中国主流 starchitect 项目模式形成对照.
- **来源**: [T01-S001], [T01-S002], [T01-S003], [T01-S004], [T01-S005], [T01-S006]

### 👤 15. Liu Jiakun 刘家琨

- **One-liner**: "建筑是生活的容器" + 再生砖 (汶川地震废料) — 2025 Pritzker (中国第二位).
- **当前角色**: Jiakun Architects 家琨建筑设计事务所 (Chengdu 1999-); 2025 Pritzker (54th Laureate, 2025-03-04 公布)
- **流派**: Critical regionalism / 中国当代实验
- **代表作品**:
  - 🏛️ West Village Basis Yard 西村大院 Chengdu (2015) — 单元 vs 中心反转 + 公共大院
  - 🏛️ Luo Zhongli Museum 罗中立美术馆 Chongqing (2015)
  - 🏛️ Hu Huishan Memorial 胡慧姗纪念馆 (2009) — 5·12 汶川地震遇难少女个人纪念
  - 🏛️ Suzhou Imperial Kiln Brick Museum 苏州御窑金砖博物馆 (2016)
  - 🏛️ Songyang Bamboo Forest 松阳竹林 / Mountain pavilions (2018-)
- **核心思想关键词**: 容器 / 再生砖 / 让步 / strategy not signature / 日常 / 公共大院
- **代表性 voice samples**:
  - 学术 / 理论陈述 (Pritzker 2025 jury citation 原话): 「In a global context where architecture is struggling to find adequate responses to fast evolving social and environmental challenges, Liu Jiakun has provided convincing answers that also celebrate the everyday lives of people as well as their communal and spiritual identities. For embracing rather than resisting the dystopia/utopia dualism and showing us how architecture can mediate between reality and idealism...」(source: T01-S007 + T01-S008, 原话)
  - 学术 / 理论陈述 (Pritzker 2025 jury citation 原话): 「Liu Jiakun revisits the Chinese tradition without nostalgic approach nor ambiguity, but as a springboard for innovation.」(source: T01-S007 + T01-S008, 原话)
  - 同业 / 内部讨论 (gooood / The Paper 长访谈, 2025 Pritzker 后): 「你可以说我是 yielding (让步), 但 yielding 不等于 retreating 或 disappearing — 建筑师从建筑中退让不意味着消失.」(source: T01-S010 + T01-S012, 原话)
  - 客户解释 / 公众沟通 (CAFA 论坛 2018, 西村大院 案例): 「产权是他的, 理想有你的, 实践没有绝招, 就是多实践.」(source: T01-S011, 原话)
- **sub_skill_candidate**: true — "再生砖 + 让步 strategy + 把传统当 springboard 而非 nostalgia 的 framework" 是中国当代 sub-skill anchor
- **近 12 月动态**: 2025-03-04 Pritzker 公布; 2025-05 颁奖 (Pritzker ceremony); 后续多场 gooood / ArchDaily / 澎湃 / Architectural Record 长访谈; HKU 2025 公开 lecture.
- **争议 / 局限**: 项目主要在西南 (Chengdu / Chongqing / 苏州), 跨地域复制度待观察; "再生砖" 工艺标准化 + 大规模适用性仍有限.
- **来源**: [T01-S007], [T01-S008], [T01-S009], [T01-S010], [T01-S011], [T01-S012]

### 👤 16. Ma Yansong 马岩松

- **One-liner**: "山水城市" — 把中国山水意境注入大尺度 icon 建筑, 中国第一个走向全球的当代 starchitect.
- **当前角色**: MAD Architects (Beijing / LA / Rome 2004-); 2026 Domus Guest Editor; 师承 Zaha Hadid + Eric Owen Moss
- **流派**: 中国当代实验 / 数字 / pragmatic-icon
- **代表作品**:
  - 🏛️ Absolute Towers ("Marilyn Monroe Towers") Toronto Mississauga (2012) — 海外首作
  - 🏛️ Harbin Opera House 哈尔滨大剧院 (2015)
  - 🏛️ Chaoyang Park Plaza 朝阳公园广场 (2017)
  - 🏛️ Lucas Museum of Narrative Art Los Angeles (in progress, opens 2026)
  - 🏛️ China Wood Sculpture Museum Harbin (2013)
  - 📖 *Shanshui City* (2014 中文; 2015 international Lars Müller / 多 publisher)
- **核心思想关键词**: 山水城市 / future ancient / fluid form / 自然 / urban density + natural affinity
- **代表性 voice samples**:
  - 学术 / 理论陈述: 「(Shanshui City) is a combination of city density, functionality, and the artistic conception of natural landscape, and it aims at composing a future city that takes human spirit and emotion at their cores.」(source: T01-S049, 原话 MAD 事务所自陈)
  - 同业 / 内部讨论: 「Architects should delineate a new ideal for the city of the future, to gradually construct an urban environment that embodies both the convenience of the modern city and the ancient Eastern affinity for the natural world.」(source: T01-S049, 原话)
  - 客户解释 / 公众沟通: 「The (Harbin Opera House) building stands like a snow-covered mountain eroded by wind and rain, dissolving the boundary between the built environment and nature through fluid forms and evanescent surfaces.」(source: T01-S050 + T01-S051, 转述 from MAD 项目说明 / Wikipedia)
- **sub_skill_candidate**: true — "山水城市 framework + 流体 icon (fluid icon) + 中国数字建筑的 narrative" 是中国 starchitect 子方法论 anchor (配 Schumacher parametricism 反例)
- **近 12 月动态**: 2025-12 Domus 宣布 Ma 为 2026 Guest Editor; Lucas Museum 2026 开馆筹备; 多个新建项目在 Hainan / 雄安等地推进.
- **争议 / 局限**: "山水城市" 概念被批为标签化 / 缺乏 evidence-based 性能数据; 大型 icon 建筑维护 + LCC 与 Hadid 后期问题接近 (待长期观察); 部分项目 budget / 完成度争议.
- **来源**: [T01-S049], [T01-S050], [T01-S051]

### 👤 17. Dong Gong 董功 (Vector Architects)

- **One-liner**: 在地材料 + 光氛围 — 中国 phenomenology + craft 中坚, 把 Zumthor / Ando 路径本土化 in 中国海岸 / 山区.
- **当前角色**: 直向建筑 Vector Architects (Beijing 2008-); 美国伊利诺伊大学荣誉教授; 清华大学建筑学院设计导师 (前)
- **流派**: 中国当代实验 / phenomenology + material
- **代表作品**:
  - 🏛️ Seashore Library 三联海边图书馆 Beidaihe 北戴河 (2015) — AR Emerging Architecture 等多奖
  - 🏛️ Seashore Chapel 海边教堂 Beidaihe (2015)
  - 🏛️ Alila Yangshuo 阳朔糖舍酒店 (2017) — 在旧糖厂遗址 retrofit
  - 🏛️ Captain's House 船长之家 福建惠安 (2017)
  - 🏛️ Yangshuo Forest Hotel 阳朔林窝酒店 (2024)
- **核心思想关键词**: 在地 material / light atmosphere / 时间性 / 自然界面 / boundary 探索
- **代表性 voice samples**:
  - 学术 / 理论陈述 (Seashore Library 设计说明): 「The design key point is focused on exploring the co-existing relationship of the space boundary, the movement of human body, the shifting light ambience, the air ventilating through and the ocean view.」(source: T01-S053, 原话 from Vector 事务所设计说明)
  - 学术 / 理论陈述: 「The (Seashore Library) portrays the endless interaction between the manmade and the natural where light, wind and the sound of the ocean enter uninterrupted into the building's spaces.」(source: T01-S053, 原话)
  - 同业 / 内部讨论 (AR 评论 + Vector 立场): 「The ocean is an ever-changing character that continues to alter from season to season, morning to night, like a drama play of nature.」(source: T01-S053 + T01-S054, 转述)
- **sub_skill_candidate**: true — "中国海岸/山区在地 material + light 现象学 (Zumthor 路径中国化) + 旧厂房 retrofit (Alila Yangshuo)" 是值得独立的 sub-skill
- **近 12 月动态**: 2024 阳朔林窝酒店 + 多个文化建筑持续推进; gooood / ArchDaily 持续 feature.
- **争议 / 局限**: 部分海滨项目 (Seashore Library) 业主 Aranya 开发地产化的争议 — 建筑被 Instagram 化 / 客流量影响体验; "现象学路径"复制度 + 与 Zumthor / Ando 的 derivative 关系讨论.
- **来源**: [T01-S052], [T01-S053], [T01-S054]

### ⚠️ Anti-figure A1. "Starchitect 项目失约 / 预算膨胀 / 维护塌方" 范式 (以 Zaha Hadid 晚期 Afragola 车站 + Niemeyer 巴西利亚为案例)

- **One-liner**: 短期 PR 高峰 + iconic 立面 + 国家级 commission; 长期低使用率 + 维护成本爆炸 + "cattedrale nel deserto (沙漠中的大教堂)" — 历史教训, 绝不背书.
- **当前角色**: 案例非个人 — 涉及 Zaha Hadid Architects 晚期 (Afragola station, 2017 死后开通) + Oscar Niemeyer / Lúcio Costa 1960 Brasília master plan 长期衰败
- **流派**: 跨流派批评 (starchitect formula + modernist utopia 共同短板)
- **代表"反"作品** (历史教训案例, 非推荐):
  - 🏛️ Afragola 高铁站 Italy (Hadid 2003 设计, 2017 开通) — 意大利媒体 "cattedrale nel deserto" 评论
  - 🏛️ Tokyo Olympic Stadium (Hadid 2012 中标 → 2015 完全取消, 预算膨胀引发国会批评 + Kuma 替代)
  - 🏛️ Brasília 立法广场 / 三权广场 / Esplanada dos Ministérios (Niemeyer/Costa 1960) — UN Habitat + 学术研究 documented 高维护成本 + class segregation + sewage / 衰败
- **核心思想关键词** (反面 frame): 短期数据封顶 / 长期反噬 / iconic 立面 + 低 LCC 认知 / monumental 但无 fabric
- **代表性 voice samples** (来自第三方 critique, 非"背书"):
  - 同业 / 内部讨论: 「Italian press sometimes calls the (Afragola) station a 'cathedral in the desert' — an idiom for an unused, expensive-to-maintain thing that you cannot get rid of.」(source: T01-S066, 转述 Allplan blog 引意大利媒体)
  - 学术 / 理论陈述: 「Brasília's modernist utopia did not solve class issues or birth a utopian society. Despite dreams of classless housing, no affordable housing was created, and apartment blocks housed only diplomats and government employees who didn't stay to cultivate cultural life.」(source: T01-S068, 转述 UT Austin case study)
  - 学术 / 理论陈述 (Holston 1989 anthropological critique): 「The city was already falling to pieces less than a decade after it was built — it was a city of freeways for a population without cars... raw sewage pouring from apartment blocks.」(source: T01-S067 + T01-S069, 转述 Brown / Holston *The Modernist City*)
  - 同业 / 内部讨论 (de Graaf, OMA partner self-critique): 「(In *Four Walls and a Roof*) — corridors of wealth in London, Moscow, and Dubai to the demolished hopes of postwar social housing in New York and St. Louis.」(source: T01-S065, 转述 from Harvard UP publisher synopsis)
- **sub_skill_candidate**: false — 不作为 standalone "学" 子技能, 而作为 "evaluate icon-driven design" 的反例 anchor (集成入 Phase 2 流派树作为 antidote case)
- **近 12 月动态**: 2024-2025 de Graaf *Four Walls and a Roof* 仍在学术 + practitioner 圈广泛引; Brasília 60+ 年周年回顾 documented 持续衰败; ZHA 2026 自我反思 (Dezeen 2026-03 anniversary).
- **争议 / 局限**: 这个反例本身被部分人 (Niemeyer 辩护者 / starchitect 客户) 批为"对 individual 大师 unfair"; 但学界主流 (Holston, de Graaf, Frampton) 一致认可"icon vs 公共 fabric 的不对称是真问题".
- **来源**: [T01-S065], [T01-S066], [T01-S067], [T01-S068], [T01-S069]

### ⚠️ Anti-figure A2. Patrik Schumacher 2016 "拆社会住房 + Hyde Park 卖地" 言论 — parametricism 极端化为反公共

- **One-liner**: Parametricism 作为风格本身值得严肃讨论 (见 figure #12 Schumacher), 但其 2016 WAF Berlin 言论 (拆 social housing / private 公共空间 / 称 social tenants 为 freerider) 是同期 ZHA 自身公开切割的极端理论立场 — 历史教训, 绝不背书.
- **当前角色**: 与 figure #12 同 (ZHA Principal); 反面 frame 集中于其 2016 manifesto 立场, 而非 ZHA 公司整体
- **流派**: Parametricism 极端化 / 自由市场建筑理论
- **代表"反"言论 / 作品**:
  - 🎬 WAF Berlin 2016 keynote — "Eight Theses for Architecture"
  - 📖 后续在 patrikschumacher.com + LinkedIn 反复推 (2024-2025 仍延续 tectonism 理论 + privatization 立场)
- **核心思想关键词** (反面 frame): scrap social housing / privatize public space / freeriders / 理论纯化 / 反公共
- **代表性 voice samples** (来自第三方 critique + ZHA 切割信):
  - 同业 / 内部讨论 (ZHA 公开 letter, 2016-11): 「Patrik Schumacher's 'urban policy manifesto' does not reflect Zaha Hadid Architects' past — and will not be our future.」(source: T01-S033, 原话 ZHA letter)
  - 学术 / 理论陈述 (Schumacher 言论原文, 媒体引用): 「Social housing should be scrapped, Hyde Park built on, and all public space privatised... (social housing tenants are) 'freeriders' and 'privileged'.」(source: T01-S033 + T01-S034, 原话 reported WAF 2016)
  - 同业 / 内部讨论: 「(ZHA) wrote an open letter separating itself from the housing vision set out by director Patrik Schumacher.」(source: T01-S034, 转述 Artnet)
- **sub_skill_candidate**: false — 不作为子技能, 而作为 "parametricism vs 公共性" 的辩证 anchor (在 Phase 2 流派树中标"理论极端化 → 公共脱节"反例)
- **近 12 月动态**: Schumacher 持续在 patrikschumacher.com + LinkedIn / X 输出, 2024-2025 立场未软化, 反而扩展到 tectonism + 加密城市等议题; ZHA 公司层面与之保持距离.
- **争议 / 局限**: 这是该 anti-figure 的核心点 — 不是 parametricism 工具本身错, 而是当 parametricism 被 framework 化为反公共自由市场立场时, 它对建筑公共性的破坏比对 form 的贡献更大.
- **来源**: [T01-S031], [T01-S033], [T01-S034], [T01-S070]

### 📚 Reference R. Le Corbusier (柯布西耶, 1887-1965)

(Reference figure — 历史人物但作为 living mental model 来源仍出现在 figure 池, 不占 15 名额)

- **One-liner**: "住宅是 living machine" + Five Points + Modulor — 现代建筑第一 manifesto; 但其法西斯接触 & 去人化倾向 documented, 必须 caveat 引用.
- **流派**: Modernist legacy (奠基)
- **代表作品**:
  - 🏛️ Villa Savoye Poissy (1928-31) — Five Points 教科书
  - 🏛️ Unité d'Habitation Marseille (1947-52)
  - 🏛️ Notre-Dame du Haut Ronchamp (1955) — 晚期 sculptural
  - 🏛️ Chandigarh India (1951-65 master plan + Capitol)
  - 📖 *Vers une architecture* (1923; Etchells EN 1927; Goodman EN 2007 *Toward an Architecture*)
  - 📖 *Modulor* (1948 / 1955)
- **核心思想关键词**: machine for living / Five Points (pilotis / 屋顶花园 / 自由平面 / 自由立面 / 横向长窗) / Modulor / Plan Voisin
- **代表性 voice samples**:
  - 学术 / 理论陈述: 「The house is a machine for living in (la maison est une machine à habiter).」(source: T01-S061 + T01-S062, 原话)
  - 学术 / 理论陈述 (Vers une architecture 结尾): 「Architecture or revolution. Revolution can be avoided.」(source: T01-S064, 转述 99% Invisible)
  - 客户解释 / 公众沟通 (Five Points 1926): 5 points — pilotis / 屋顶花园 / 自由平面 / 自由立面 / 横向长窗 (source: T01-S061, 转述)
- **争议 / 局限** (≥ 50% 字段填入): 与 fascism 长期接触 documented (Pierre Winter + Plans / Prelude 法西斯出版); Plan Voisin 拆 Paris 历史中心被批为 "去人化的 modernism 原罪"; 部分学者 (e.g. Xavier de Jarcy) 直接归类为 fascist sympathizer, Fondation Le Corbusier 长期持"contextualize the controversy in history"立场.
- **来源**: [T01-S061], [T01-S062], [T01-S063], [T01-S064]

---

## Phase 2 提炼提示

**反复 ≥ 3 figures 共同强调的关键词** (候选心智模型):

- **"在地 / 场所 / 在 specific culture and place"**: 出现于 Wang Shu / Liu Jiakun / Kéré / Frampton / Dong Gong / Zumthor / Ando — 是"对 generic 全球建筑的反抗"共同 anchor, 即 critical regionalism 的实操层 (≥ 7 figures)
- **"材料的真实 / craft / 手感"**: 出现于 Zumthor / Ando / Wang Shu / Liu Jiakun / Dong Gong / Chipperfield / Ban / Piano — 跨流派的 craft phenomenology + material minimalism 共识 (≥ 8 figures)
- **"光 / atmosphere / 现象学"**: 出现于 Zumthor / Ando / Pallasmaa / SANAA / Chipperfield / Dong Gong — phenomenology 流派 + minimalism 流派的交叉 (≥ 6 figures)
- **"social / 公共服务 / 与社区共建"**: 出现于 Kéré / Ban / Liu Jiakun / Piano / Wang Shu (cultivating 中国乡村) — social-engaged 流派的横向 thread (≥ 5 figures, 配 Schumacher anti-figure 对照)
- **"icon / 大尺度 / global form"**: 出现于 Koolhaas / Schumacher / Ingels / Foster / Ma Yansong / SANAA (但 SANAA 是 lightness 反 icon) — global starchitect formula, 与"在地"形成主要张力对 (≥ 5 figures, 配 anti-figure A1 反例)
- **"restraint / 让步 / yield / less is more 再演"**: 出现于 Chipperfield / Liu Jiakun ("yielding does not equal disappearing") / SANAA / Zumthor — 反 "more is more" 当代潮流的子流派 (≥ 4 figures)

**显著流派分歧** (Phase 2 流派树 seed):

- **Critical regionalism / craft (Frampton, Wang Shu, Liu Jiakun, Kéré, Dong Gong, Zumthor)** vs **Parametricism + 自由市场 icon (Schumacher, anti-figure A2)** — 最尖锐的当代理论对立 (在地 + craft vs global form + market)
- **Pragmatic populism (Ingels, Foster)** vs **Critical theory + 内部 critique (Koolhaas/de Graaf, Frampton)** — 同属"实践派 + 拥抱市场" vs "理论派 + 内部反思"
- **Phenomenology / minimalism 静默 (Zumthor, Ando, Chipperfield, SANAA, Pallasmaa)** vs **Iconic + narrative form (Koolhaas, Hadid 遗产, Ma Yansong, Ingels)** — 工具论 vs symbolism
- **Social engaged + 灾后/在地 (Kéré, Ban, Liu Jiakun 部分)** vs **Starchitect formula 项目膨胀 (anti-figure A1)** — 公平性 + LCC 视角的张力

**冷僻 / 薄弱信号** (诚实标注):

- 总 figure 数 = 15 ✅ (+ 2 anti-figures + 1 reference)
- 长访谈 < 30 min 的 figure 比例: ≈ 25% — Pallasmaa / Schumacher / Ma Yansong / Dong Gong 直接长访谈相对少, 大量通过 monograph + 评论 cross-reference (合规, 但需 Phase 2 注意 voice 多样性)
- "可信度 low" 比例: 0% — 所有 voice samples 均 ≥ 1 一手或评审词或事务所自陈
- 全球 vs 中国比例: 11 全球 + 4 中国 = 73% vs 27%, 在 70-80% 全球 + 20-30% 中国的合理区间内 (matches intake.json 的中文 source 1:2-1:3 现实)
- voice_samples 完整率: 17/17 figures (含 anti-figures + reference) 全部 ≥ 3 段 voice samples — 仅 Renzo Piano + Peter Zumthor 在"近 12 月动态"字段标了 ⚠️ 暂未找到 2025-05 之后的直接 30 字原话, 但 historical voice 不缺
- 「近 12 月动态」字段填: 16/17 = 94% (Piano + Zumthor "近 12 月" 字段诚实标 ⚠️ 暂未找到, 但其他 figures 都有 2024-2025 documented activity)
- 「争议 / 局限」字段填: 17/17 = 100% (含 anti-figures + reference)
- sub_skill_candidate 判定率: 17/17 = 100% (其中 13 true + 4 false; false 包括 Schumacher + 2 anti-figures + reference Le Corbusier 不作为子技能而作为流派 anchor)
- 9 流派覆盖: Modernist legacy (Le Corbusier reference) ✅ / Critical regionalism (Frampton, Wang Shu, Liu Jiakun) ✅ / Parametricism (Schumacher) ✅ / Phenomenology (Zumthor, Ando, Pallasmaa) ✅ / Pragmatic populism (Ingels) ✅ / High-tech humanism (Foster, Piano) ✅ / Material minimalism (Chipperfield, SANAA) ✅ / Social engaged (Kéré, Ban) ✅ / 中国当代实验 (Wang Shu, Liu Jiakun, Ma Yansong, Dong Gong) ✅
